Poet Deryn Rees-Jones and artist Charlotte Hodes have created a unique approach to the life of Helen Thomas, and through her to the women, and children, left behind by the fatalities of war. Helen Thomas was widowed when her husband the war poet Edward Thomas was killed at the battle of Arras in 1917. On the centenary of the First World War this specially commissioned collaboration explores Helen's loss, and the loss of all war widows, through poetry, prose and art. Rees-Jones's sequence takes as its starting point Thomas's only poem addressed directly to his wife , 'And you, Helen'. Rees-Jones's poem imagines Helen after Edward's death, and is complemented by a meditative essay on the complexities of the relationship between the poet and his family, and on war, grief, marriage and bereavement more generally: a critical exploration through a personal lens. Charlotte Hodes takes Rees-Jones's touchstone for her own exploration of these themes through thirteen of her distinctive collages and prints, which extend her body of work about the changing position of women since the eighteenth century.

The nature of health in later life has conventionally been studied from two perspectives. Medical sociologists have focused on the failing body, chronic illness, infirmity and mortality, while social gerontologists on the other hand have focused on the epidemiology of old age and health and social policy. By examining these perspectives, Higgs and Jones show how both standpoints have a restricted sense of contemporary ageing which has prevented an understanding of the way in which health in later life has changed. In the book, the authors point out that the current debates on longevity and disability are being transformed by the emergence of a fitter and healthier older population. This third age - where fitness and participation are valorised - leads to the increasing salience of issues such as bodily control, age-denial and anti-ageing medicine. By discussing the key issue of old age versus ageing, the authors examine the prospect of a new sociology - a sociology of health in later life. Medical Sociology and Old Age is essential reading for all students and researchers of medical sociology and gerontology and for anyone concerned with the challenge of ageing populations in the twenty-first century. This book is essential reading for all students and researchers of medical sociology and gerontology.

York explores the archaeology, art, architecture and cultural heritage of the city in the late Middle Ages. In the years since the resurrection of the British Archaeological Association conference in 1976, the association has met in the city only once (in 1988), for a conference that celebrated Yorkshire Monasticism. As a consequence, the secular and vernacular architecture as well as the architecture, art and imagery of York Minster were excluded from its scope, something redressed in the meeting that took place in 2017. As many recent publications have focused on York in the earlier medieval period, this book shines a much-needed light on the city in the later medieval ages. Starting with a range of essays on York Minster by authors directly involved in major conservation projects undertaken in the last ten years, the book also includes information on the vernacular architecture and transport infrastructure of York, as well as the parochial and material culture of the period. Illuminating the extensive resources for the study of the late Middle Ages in England's second capital, this book provides new research on this important city and will be suitable for researchers in medieval archaeology, art history, literature and material culture.

York explores the archaeology, art, architecture and cultural heritage of the city in the late Middle Ages. In the years since the resurrection of the British Archaeological Association conference in 1976, the association has met in the city only once (in 1988), for a conference that celebrated Yorkshire Monasticism. As a consequence, the secular and vernacular architecture as well as the architecture, art and imagery of York Minster were excluded from its scope, something redressed in the meeting that took place in 2017. As many recent publications have focused on York in the earlier medieval period, this book shines a much-needed light on the city in the later medieval ages. Starting with a range of essays on York Minster by authors directly involved in major conservation projects undertaken in the last ten years, the book also includes information on the vernacular architecture and transport infrastructure of York, as well as the parochial and material culture of the period. Illuminating the extensive resources for the study of the late Middle Ages in England's second capital, this book provides new research on this important city and will be suitable for researchers in medieval archaeology, art history, literature and material culture.

For many years now the professional "creative writer" within universities and other institutions has encompassed a range of roles, embracing a plurality of scholarly and creative identities. The often complex relation between those identities forms the broad focus of this book, which also examines various, and variously fraught, dialogues between creative writers, "hybrid" writers and academic colleagues from other subjects within single institutions, and with the public and the media. At the heart of the book is the principle of "creative writing" as a fully-fledged discipline, an important subject for debate at a time when the future of the humanities is in crisis; the contributors, all writers and teachers themselves, provide first-hand views on crucial questions: What are the most fruitful intersections between creative writing and scholarship? What methodological overlaps exist between creative writing and literary studies, and what can each side of the "divide" learn from its counterpart? Equally, from a pedagogical perspective, what kind of writing should be taught to students to ensure that the discipline remains relevant? And is the writing workshop still the best way of teaching creative writing? The essays here tackle these points from a range of perspectives, including close readings, historical contextualisation and theoretical exploration. Professor Richard Marggraf Turley teaches in the Department of English and Creative Writing, Aberystwyth University.BR Contributors: Richard Marggraf Turley, Damian Walford Davies, Philip Gross, Peter Barry, Kevin Mills, Tiffany Atkinson, Robert Sheppard, Deryn Rees-Jones, Zoe Skoulding, Jasmine Donahaye

ePDF and ePUB available Open Access under CC-BY-NC licence. In recent years, the 'city region' has seen a renaissance as the de facto spatial centre of governance for economic and social development. Rich in case study insights, this book provides a critique of city-region building and considers how governance restructuring shapes the political, economic, social and cultural geographies of devolution. Reviewing the Greater Manchester, Sheffield, Swansea Bay City Regions, Cardiff Capital Region and the North Wales Growth Deal, the authors address the tensions and opportunities for local elites and civil society actors. Based on original empirical material, situated within cutting edge academic and policy debates, this book is a timely and lively engagement with the shifting geographies of economic and social development in Britain.

ePDF and ePUB available Open Access under CC-BY-NC licence. In recent years, the 'city region' has seen a renaissance as the de facto spatial centre of governance for economic and social development. Rich in case study insights, this book provides a critique of city-region building and considers how governance restructuring shapes the political, economic, social and cultural geographies of devolution. Reviewing the Greater Manchester, Sheffield, Swansea Bay City Regions, Cardiff Capital Region and the North Wales Growth Deal, the authors address the tensions and opportunities for local elites and civil society actors. Based on original empirical material, situated within cutting edge academic and policy debates, this book is a timely and lively engagement with the shifting geographies of economic and social development in Britain.

The nature of health in later life has conventionally been studied from two perspectives. Medical sociologists have focused on the failing body, chronic illness, infirmity and mortality, while social gerontologists on the other hand have focused on the epidemiology of old age and health and social policy. By examining these perspectives, Higgs and Jones show how both standpoints have a restricted sense of contemporary ageing which has prevented an understanding of the way in which health in later life has changed. In the book, the authors point out that the current debates on longevity and disability are being transformed by the emergence of a fitter and healthier older population. This third age - where fitness and participation are valorised - leads to the increasing salience of issues such as bodily control, age-denial and anti-ageing medicine. By discussing the key issue of old age versus ageing, the authors examine the prospect of a new sociology - a sociology of health in later life. Medical Sociology and Old Age is essential reading for all students and researchers of medical sociology and gerontology and for anyone concerned with the challenge of ageing populations in the twenty-first century. This book is essential reading for all students and researchers of medical sociology and gerontology.

Explaining the chromatic methodology for the intelligent monitoring of complex systems, Chromatic Monitoring of Complex Conditions demonstrates that chromatic processing is analogous to human vision yet also extends into a wide range of nonoptical domains.

Taking a practical approach that utilizes many examples and graphs, the book presents the origin and methodology of chromaticity, before delving into the various applications of chromatic methods. It first describes characteristics of chromatic systems and chromatic processing algorithms, such as "H," "S," "V "transformation and basic "x," "y," "z "algorithms. The book then discusses the areas in which chromatic monitoring can be deployed, including electrical plasmas, industrial liquids, broadband interferometry and polarimetry, biological tissues and fluids, the environment, and acoustical and vibration signals.

With contributions from international authorities in the field, this volume shows how chromatic analysis is useful for investigating diverse complex systems and for processing large amounts of information about system behavior, from direct physical parameters to holistic system overviews. By covering the broad capabilities of the methodology, it provides the basis for adapting chromatic techniques in future work.

Paula Rego is an artist of astonishing power with a unique and unforgettable aesthetic. Taking its cues from the artist, this fascinating study invites us to reflect on the complexities of storytelling on which Rego's work draws, emphasizing both the stories the pictures tell, and how it is that they are told. Deryn Rees-Jones sets interpretations of the pictures in the context of Rego's personal and artistic development across sixty years. We see how Rego's art intersects with the work of both the literary and the visual, and come to understand her rich and textured layering of reference: her use of the Old Masters; fiction, fairy tales and poems; the folk traditions of Rego's native Portugal; and her wider engagement with politics, feminism and more. The result is a highly original work that addresses urgent and topical questions of gender, subject and object, self and other.

Marie Stopes' work in the area of sexual health and contraception has left a lasting legacy, and she is widely acknowledged as one of the most significant figures of the twentieth century. Her Married Love: A New Contribution to the Solution of Sex Difficulties was first published in 1918, translated into thirteen languages and sold over a million copies. Stopes also ardently pursued her enthusiasm for literature throughout her life, writing novels, plays and poetry. Her novel Love's Creation, published in 1928, the year women obtained the vote, is a working through of the debates which she addressed both in her personal and public life: sexual relations, the relationship between the arts and sciences, the quest for female sexual fulfillment. Marie Stopes' campaigning on behalf of a more open attitude to women's sexuality, equality in marriage, and sexual health and contraception, and her opening of the first free birth control clinic in the British Empire in 1921, saw her at the centre of political controversy, not least in her battle with the Roman Catholic church. Love's Creation, republished here for the first time since 1928, offers fascinating insights into early twentieth-century women's writing, most notably Virginia Woolf's theories of female creativity / fulfilled female sexuality which is not under threat from motherhood; female economic and psychic freedom; and the social milieu of the time. It is an engaging and fast moving narrative with lively, well-drawn and unconventional characters. The novel poses important questions about women's choices and aspirations before, during and after marriage. Not surprisingly it also engages in still contemporary and vital debates about the relationship between the sciences and the arts, and theories of evolution.

The shocking massacre of the Jews in York, 1190, is here re-examined in its historical context along with the circumstances and processes through which Christian and Jewish neighbours became enemies and victims. The mass suicide and murder of the men, women and children of the Jewish community in York on 16 March 1190 is one of the most scarring events in the history of Anglo-Judaism, and an aspect of England's medieval past which is widely remembered around the world. However, the York massacre was in fact only one of a series of attacks on communities of Jews across England in 1189-90; they were violent expressions of wider new constructs of the nature of Christian and Jewish communities, and the targeted outcries of local townspeople, whose emerging urban politics were enmeshed within the swiftly developing structures of royal government. This new collection considers the massacreas central to the narrative of English and Jewish history around 1200. Its chapters broaden the contexts within which the narrative is usually considered and explore how a narrative of events in 1190 was built up, both at the timeand in following years. They also focus on two main strands: the role of narrative in shaping events and their subsequent perception; and the degree of convivencia between Jews and Christians and consideration of the circumstances and processes through which neighbours became enemies and victims. Sarah Rees Jones is Senior Lecturer in History, Sethina Watson Lecturer, at the University of York. Contributors: Sethina Watson, Sarah Rees Jones, Joe Hillaby, Nicholas Vincent, Alan Cooper, Robert C. Stacey, Paul Hyams, Robin R. Mundill, Thomas Roche, Eva de Visscher, Pinchas Roth, Ethan Zadoff, Anna Sapir Abulafia, Heather Blurton, Matthew Mesley, Carlee A.Bradbury, Hannah Johnson, Jeffrey J. Cohen, Anthony Bale

This collection of essays was presented to Barrie Dobson in celebration of his 70th birthday. It will be welcomed by all scholars of pre-modern religion and society. Spanning the artificial divide between medieval and early modern, the contributors - all acknowledged experts in their field - pursue the ways in which men and women tried to put their ideals into practice, sometimes alone, but more commonly in the shared environment of cloister, college or city. The range of topics is testimony to the breadth of Barrie Dobson's own interests, but even more striking are the continuities and shared assumptions across time, and between the dissident and the impeccably orthodox. Taking the reader from a rural anchor-hold to the London of Thomas More, and from the greenwood of Robin Hood to the central law courts, this collection builds into a richly satisfying exploration of the search for perfection in an imperfect world.

Explaining the chromatic methodology for the intelligent monitoring of complex systems, Chromatic Monitoring of Complex Conditions demonstrates that chromatic processing is analogous to human vision yet also extends into a wide range of nonoptical domains. Taking a practical approach that utilizes many examples and graphs, the book presents the origin and methodology of chromaticity, before delving into the various applications of chromatic methods. It first describes characteristics of chromatic systems and chromatic processing algorithms, such as H, S, V transformation and basic x, y, z algorithms. The book then discusses the areas in which chromatic monitoring can be deployed, including electrical plasmas, industrial liquids, broadband interferometry and polarimetry, biological tissues and fluids, the environment, and acoustical and vibration signals. With contributions from international authorities in the field, this volume shows how chromatic analysis is useful for investigating diverse complex systems and for processing large amounts of information about system behavior, from direct physical parameters to holistic system overviews. By covering the broad capabilities of the methodology, it provides the basis for adapting chromatic techniques in future work.

In Burying the Wren Deryn Rees-Jones returns to familiar preoccupations but with a new clarity and maturity of vision. With intense lyricism she calls on the Roethkean 'small things' of the universe -- truffles, slugs, trilobites, birds, stones, feathers, flowers, eggs -- which, mysterious, and magical as well as ordinary -- she sets up against loss. Her sequence of 'Dogwoman' poems, which draws on the work of artist Paula Rego, is a an extended elegy to her late husband, the poet and critic Michael Murphy. Above all these are poems of the body, "...the blue heartstopping pulse at the wrist", which are alive to the world and the transformative qualities of love.

"Modern Women Poets" is the companion anthology to Deryn Rees-Jones's pioneering critical study, "Consorting with Angels: Essays on Modern Women Poets". While its selections illuminate and illustrate her essays, Deryn Rees-Jones's superb anthology works in its own right as the best possible introduction to a whole century of poetry by women. The anthology draws together the work of women poets from Britain, Ireland and America as one version of a history of women's poetic writing, while not isolating women's writing from its intersection with the work of male contemporaries. Tracing an arc from Charlotte Mew to Stevie Smith, from Sylvia Plath to the writing emerging from the Women's Movement, and to the more recent work of Medbh McGuckian, Jo Shapcott and Carol Ann Duffy, the anthology draws together the work of women poets from Britain, Ireland and America as one version of a history of women's poetic writing. It shows important connections between the work of women poets and shows how - throughout past 100 years - they have developed strategies for engaging with a male-dominated tradition. "Modern Women Poets" allows the reader to trace women's negotiations with one another's work, as well as to reflect more generally on the politics of women's engagement with history, nature, politics, motherhood, science, religion, the body, sexuality, identity, death, love, and poetry itself.

Where were you when Diana died?

For Trevor Rees-Jones the answer is simple: he was in the same hospital as Diana, fighting for his own life a few rooms away. As bodyguard to her companion Dodi Fayed, he was with the couple when, hounded by paparazzi and with a driver who turned out to be drunk, their Mercedes crashed into the thirteenth pillar of the tunnel under the Place de l'Alma in Paris. Dodi and the driver, Henri Paul, died instantaneously, medics say; Diana was rushed to a nearby hospital where doctors worked feverishly to resuscitate her before giving up in the early hours of Sunday morning.

Miraculously, Trevor survived. But his condition was critical -- internal chest injuries and a broken wrist were the least of it. His head had taken the brunt of the impact and suffered catastrophic damage; his face was crushed beyond recognition. In a stunning medical drama, however, a facial surgeon performed a miracle of reconstruction, and -- along with Trevor's own indomitable will and the support of his family and friends -- the bodyguard was able to leave hospital after just over a month. His goal then was straightforward: to return to a normal life as soon as possible, go back to work for his employer, Mohamed Al Fayed, and to the simple pleasures of rugby and his mates at home in Shropshire.

But the crash that nearly killed him had killed Diana, Princess of Wales, one of the most famous women of the late twentieth century. A normal life was no longer an option. And as Mohamed Al Fayed's grief at the loss of his son quickly turned into a desperate hunt for reasons, for culprits and conspiracy, Trevor found his unswerving loyalty to the Boss at first questioned and then,ultimately, destroyed, as Fayed pointed the finger of blame at him.

THE BODYGUARD'S STORY grippingly describes, for the first time, Trevor Rees-Jones's part in these astonishing events. From the prelude to Paris, when Trevor found himself minding the Princess and her two sons in the south of France, to the crash itself and its causes and consequences, this book reveals the true, first-hand account of one of the most sensational news stories of the last century. Compelling, alarming and yet deeply moving, it is a remarkable story of courage under fire, and of how ordinary people can react to extraordinary circumstances and survive, scarred, but with their souls and values intact.

A murder mystery in verse, this book opens with the protagonist stumbling across the body of an acquaintance who has been horribly murdered and left in a cemetery. She recognizes the victim as the former lover of her husband and so begins a web of incident and intrigue. Combining the pace and excitement of good fiction with all the lyric artistry of verse, the plot unfolds in brief poetic episodes, offering erotic glimpses of the protagonist's volatile moods. Disturbing and contradictory facts emerge as she interacts with police, colleagues, friends, and her spouse, all of whom seem to possess pieces of the puzzle that, when solved, will lead her to the mystery of the murdered girl.

In this pioneering critical study, Deryn Rees-Jones discusses the work of some of the major women poets of the last hundred years, showing how they have explored what it has meant to be a woman poet writing in a male-dominated poetic tradition. Beginning with Edith Sitwell, Stevie Smith, Sylvia Plath and Anne Sexton, she shows how an older generation resisted easy categorisation by forging highly individual aesthetics and self-presentation. For Edith Sitwell, the woman poet was to be 'as eloquent as a peacock'. Stevie Smith compared poetry to 'a strong explosion in the sky' but did not consider gender to be an important factor. Sylvia Plath, who admired the work of both these poets, wanted to write in a way which was 'not quailing and whining' but to produce 'working, sweating, heaving poems born out the way words should be said.' Anne Sexton, in her poem 'Consorting with Angels', writes that she is 'tired of the gender of things' 'not a woman anymore,/ not one thing or the other'. But despite their brilliance, their perceived eccentricity - along with the suicides of Plath and Sexton - made these major figures difficult acts to follow. Deryn Rees-Jones then considers the poetry written in their wake, with essays covering poets such as Moniza Alvi, Carol Ann Duffy, Vicki Feaver, Lavinia Greenlaw, Selima Hill, Kathleen Jamie, Jackie Kay, Gwyneth Lewis, Medbh McGuckian, Alice Oswald and Jo Shapcott. While these women all have very different writing styles, Rees-Jones argues that common strategies emerge which link them to their poetic predecessors, showing how they have developed an aesthetic which allows them to explore their femininity. Taking account of the importance to these women of the work of their male contemporaries, her incisive essays open up new perspectives on the poetry of the 20th and 21st centuries. Deryn Rees-Jones's companion anthology Modern Women Poets is published at the same time as Consorting with Angels.

The British singer, songwriter and musician Peter Hammill is one of the key figures in the history of progressive rock. As the leader and main creative force of Van der Graaf Generator, he was behind some of the most powerful and compelling rock music of the 1970s, and since VdGG reformed in 2005 has continued to lead the group down a unique musical path. But Van der Graaf Generator are only part of the Peter Hammill story. Beginning with 1971's Fool's Mate and continuing all the way to 2021's In Translation, Hammill has carved out a lengthy solo career consisting of some 35 albums, plus a number of live albums and collaborations. The range of styles in evidence on these albums is remarkable, from baroque progressive rock to snotty proto-punk, angular new wave, delicate ballads, electronic experiments and even a full-length opera. This is the first book to offer an in-depth exploration of Peter Hammill's solo discography, revealing the sonic intensity and emotional turmoil that lie at the heart of his work. The book is an invaluable companion to Dan Coffey's Van der Graaf Generator: every album, every song, already published by Sonicbond Publishing.